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The Reality and Truth about Suh Yongsun¡¯s Paintings

 

(Honorary Professor, Seoul National University)

 

Suh Yongsun seems to have drawn his paintings with the kind of spirit that would bring down a mountain and move it with his bare hands. Such spirit and temerity broke through the walls of the history of art and displayed itself in a highly energetic form. Although it is unclear whether Suh deployed ¡®primitiveness¡¯ as his weapon or he found that he had reached a status of ¡®primitiveness¡¯ one day, it may be said that the world of the unknown displayed itself in a visual form through Suh¡¯s paintings.

 

Suh¡¯s paintings seem to display the elements of both the most realistic and supernatural anecdotes. They seem to take the form of something that endeavors to destroy the outer layer of the skin and interact directly with one¡¯s inner world. Accordingly, it may be said that Suh endeavored to search for something of spiritual value. The river of history flows deep down within Suh¡¯s understanding of reality. Suh was never fond of anything that was refined, bright, elegant and graceful. He swallowed his anger and treated everything that he perceived, including a series of unfortunate events in history, with affection. The truth of Suh¡¯s art lies in the place that is unequivocally void of pretense and hypocrisy.

 

Despite the dishonor that was brought upon the nation after losing its independence, there was no painting that showed the rage the Korean people felt; not even one. Artists failed to paint the independence movement that took place throughout the country. Moreover, did any one draw a painting that depicted the elation the people felt after the nation¡¯s liberation from colonial rule? Not one single artist depicted the tragedy of the Korean War between the two Koreas. Furthermore, how did the artists respond to the April 19 Movement against corruption and injustice, and to the democratic movement of the 1970s and 1980s? How can art be whole without acknowledging reality? Indeed, Suh¡¯s paintings provide us with the opportunity to ponder the true meaning of art.

 

Virgil, Gheorghiu, author of the 25th hour said, ¡°A poet¡¯s heart breaks when the world is in pain¡± when he visited Seoul. In other words, it would indeed be strange if an artist¡¯s heart did not ache in spite of the pain the world was experiencing.

 Suh¡¯s paintings certainly have a fascinating power that engages the viewers. He uses bold brush strokes that show no hesitation. One is overwhelmed before he or she can even think about what the paintings depict. It feels like staring at an area filled with some kind of energy that is surrounded by an immense power of silence. To uncover the meaning of such silence, one must be able to identify what it is that is flowing towards eternity within the silence.

[ÀμâÇϱâ] 2016-10-03 13:17:32 / 125.142.131.156

À̸§ : ºñ¹Ð¹øÈ£ : ¿©±â¸¦ Ŭ¸¯ÇØ ÁÖ¼¼¿ä.  


     
  


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